In the present, John shows up at the bar and tells Tom that his girlfriend Emma gave him a haircut. It looks like Mary has taken it too far with John, and it’s at a point of no return.Įmma blows off steam and drinks and dances at a bar while Tom watches this merges with scenes of a flashback with Emma dancing with Theresa. John doesn’t believe she’s being herself and that grief is forcing her not to think clearly. Later on, Mary tells John that her daughter is gone, and he tells him to get on with his life. He manages to entice Tom to arrange drinks with him at a bar. He uses his usual charm and asks if he can have a ride to town. John pretends to have car trouble and waits for police officer Tom to pull over to check him out on the road. Tom is completely unaware that he’s falling in love with a woman that does not have the capacity to love anyone else. John watches them through the window and takes photos. As she has sex with him, all she can imagine is Parker. He tells her he seems someone he wants to be with. She tries to find comfort with Tom and asks him what he sees when he looks at her. Emma is emotionally crippled now that Theresa’s body has been potentially found.
Caterina visits and tells her that she seems troubled - she asks her to come to see her once she’s figured out. A troubled EmmaĪt the hairdresser’s, Emma keeps on having flashes of a snowy night in the woods. Now that she’s accepted her daughter is dead, her character has softened - we see a mother. It looks like she finally accepts that her daughter is dead.īut what is interesting is that the writers have got Mary right at this stage when she thought her daughter was alive, she held back from grieving, which turned her into a person that she wasn’t - she went against her values. She feels like she should have done it a long time ago. Meanwhile, Mary is sorting out Theresa’s possessions and clothes with Jake. Pete believes that Emma is blocking out the memories and that he’s convinced this is Parker’s dong. Emma says all she remembers is giving birth in the woods, and she doesn’t remember a body. Peter tells Emma that the necklace on the human remains belongs to Theresa. The likelihood that Theresa is dead changes the story entirely - “Now You See Me” gives a different perspective of the characters.
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